Maha Mrityunjaya Mantra
author: Jai Paul Dudeja
edition: 2018, Kalpaz Publications
pages: 207
ISBN-10: 9386397978
ISBN-13: 9789386397973
Topic: Shaivism
Baikhari (Audible)
This chapter describes Baikhari (Audible) in the book Maha Mrityunjaya Mantra (An Invincible Armour for Conquering Death). The ten chapters of this text deal with the basic introduction (of mantras in general), Indian mythology, meditation practices (japa/dhyana/sadhana) and several other studies. It further deals with the the deities of mantras, the significance of the Mrityunjayamantra, its different versions in sacred texts such as the Vedas, Samhitas and Stotras. This chapter is part of the collection Part 7: Maha Mrityunjaya Mantra-based Meditation (Japa/Dhyana/Sadhana).
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You can look up the meaning of the phrase “Baikhari (Audible)” according to 51 books dealing with Hinduism. The following list shows a short preview of potential definitions.
Manusmriti with the Commentary of Medhatithi [by Ganganatha Jha]
karnashrave'nile ratrau diva pamsusamuhane | etau varshasvanadhyayavadhyayajnah pracakshate || 102 || (a) At night, when air is audible by the ear, and (b) in the day when there is dust-whorl,—these two occasions during the rains are declared by those versed in the rules of teaching to be unfit for study.—(102) Medhatithi’s commentary (manubhashya): When the wind blows with force, a sound is heard, which is produced by the impact of another (contrary) wind; this is what is called the ‘air audible...
Read full contents: Verse 4.102
Vakyapadiya of Bhartrihari [by K. A. Subramania Iyer]
Even though the fact of being word (shabda, something audible) is common (to both the phoneme and the word), the meaning is understood from the word (conceived as the sequence of phonemes) but not from each phoneme. Hence the meaning belongs to the word. Commentary [As audible entities, the phoneme and the word are both shabda but the sentence-meaning is understood from the sequence of the words and not from the phonemes....
Read full contents: Verse 2.53
Dasarupaka (critical study) [by Anuru Ranjan Mishra]
Aside (svagata or atmagata) and Aloud (prakasha) – When the actor utters the dialogue for both audiences as well as for co-actors and the same is audible, it is called aloud, but when the actor utters the dialogue and the same cannot be audible, it is called aside. These two terms are applied in the Mattavilasa somewhere though not frequently. Intimation Scene (culika or nepathya) – Intimation scene is of the five types (arthopakshepaka) and is also called culika....
Read full contents: Part 11 - The technical aspects of a Prahasana
Total 51 books found: See all results here.
Summary:
You can return to the book Index to buy or shop for other books, or you can read the available online pages below:
[Maha Mrityunjaya Mantra: index]
[About the Author (Jai Paul Dudeja)]
[Preface]