Svaras: 2 definitions
Introduction:
Svaras means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Languages of India and abroad
Sanskrit dictionary
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionarySvaras (स्वरस्):—[from svṛ] See gharma-svaras.
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Starts with (+37): Svarasa, Svarasada, Svarasadhaka, Svarasadharana, Svarasahitoccarana, Svarasaman, Svarasamana, Svarasamdarbha, Svarasamdehavivada, Svarasamdhi, Svarasamgraha, Svarasamika, Svarasamkrama, Svarasampad, Svarasampanna, Svarasamsvaravat, Svarasamuccaya, Svarasamvada, Svarasamyoga, Svarasana.
Ends with: Gharmasvaras.
Full-text (+52): Svara, Murchana, Shadja, Mela, Samsvara, Gharmasvaras, Sentiment, Svaramandala, Quietism, Erotic, Terrible, Grama, Humour, Odious, Furious, Pathos, Heroic, Wonder, Uttara, Alapi.
Relevant text
Search found 21 books and stories containing Svaras; (plurals include: Svarases). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Cidgaganacandrika (study) (by S. Mahalakshmi)
Verse 115 [Ambara Dvaya-rūpa of Śakti] < [Chapter 3 - Third Vimarśa]
Verse 116 [Śakti is abode of Sasvara and Asvara Ambaras] < [Chapter 3 - Third Vimarśa]
Verse 213 [Status of Jīva in Śṛṣṭi and Sthiti] < [Chapter 4 - Fourth Vimarśa]
Amarakoshodghatana of Kshirasvamin (study) (by A. Yamuna Devi)
Music (Nāṭya-varga) < [Chapter 4 - Cultural Aspects]
Education (6): Literature < [Chapter 4 - Cultural Aspects]
Shaiva Upanishads (A Critical Study) (by Arpita Chakraborty)
17. The esoteric significance of Five Faces of Lord Śiva < [Chapter 5 - Essence of Pañcabrahma Upaniṣad]
6. The form of Īśāna < [Chapter 5 - Essence of Pañcabrahma Upaniṣad]
5. The form of Tatpuruṣa < [Chapter 5 - Essence of Pañcabrahma Upaniṣad]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
3. Vocal Music (Gīta) < [Chapter 2 - Music]
4. Instrumental Music (Vādya) < [Chapter 2 - Music]
The Skanda Purana (by G. V. Tagare)
Chapter 152 - Greatness of Nāradeśvara Bhairava < [Section 1 - Prabhāsa-kṣetra-māhātmya]
Chapter 75 - Greatness of Kalakaleśvara (Kalakala-īśvara) or Kalakaleśa (Kalakala-īśa) < [Section 1 - Prabhāsa-kṣetra-māhātmya]
Chapter 78 - The Greatness of Nāradeśvara (nārada-īśvara-tīrtha) < [Section 3 - Revā-khaṇḍa]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati in classical form of Bharatanāṭya < [Chapter 4 - Practice of Gati]
Gati performed in Pūrvaraṅga < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Gati performed in Nṛtta < [Chapter 3 - Application of gati in Dṛśya-kāvyas]