Karpuramanjari, Karpūramañjarī, Karpura-manjari: 7 definitions
Introduction:
Karpuramanjari means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: HAL: The Karpūramañjarī and its successorsKarpūramañjarī (कर्पूरमञ्जरी) is the name of a Saṭṭaka type of Dramatic Play by written Rājaśekhara (9th-10th centuries, Kannauj).—Rājaśekhara's works are often cited in collections of stanzas (subhāṣita) and his ideas on poetic art are mentioned, and even textually taken up, in the treatises of late theorists, such as Abhinavagupta, Bhoja, Kṣemendra and Hemacandra. His Karpūramañjarī has become the reference of this genre, often cited and analyzed by theorists, then copied by later authors. Nevertheless, this work transcends the limit of its own genre because some of its scenes have also become examples to be applied in satire (prahasana).
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
Source: DDSA: The practical Sanskrit-English dictionaryKarpūramañjarī (कर्पूरमञ्जरी).—Name of a drama by Rājaśekhara.
Karpūramañjarī is a Sanskrit compound consisting of the terms karpūra and mañjarī (मञ्जरी).
Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionaryKarpūramañjarī (कर्पूरमञ्जरी).—[feminine] [Name] of a woman, a flamingo, & a drama.
Source: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum1) Karpūramañjarī (कर्पूरमञ्जरी) as mentioned in Aufrecht’s Catalogus Catalogorum:—kāvya, by Rajanīvallabha. Sūcīpattra. 7.
2) Karpūramañjarī (कर्पूरमञ्जरी):—a saṭṭaka, by Rājaśekhara. Oxf. 146^b. L. 84. K. 70. Kh. 83. Ben. 40. Bik. 252 (with translation into Saṃskṛt). Rādh. 20 (and—[commentary]). 38 (and—[commentary]). Np. Ix, 16. Burnell. 167^b. Oppert. 1623. 1624. 2783. 5919. Ii, 3865. 5360. 6485. 9526. 9850. W. 1557. 1558. Peters. 3, 393.
—[commentary] by Kāmarāja (Premarāja). Kh. 83.
—[commentary] by Kṛṣṇasūnu. Burnell. 168^a. Oppert. 1784.
—[commentary] by Dharmadāsa. Introd. to edition in Kāvyamālā.
—[commentary] Ratnamañjarī by Pītāmbara. W. 1559. 1560.
—[commentary] Karpūramañjarīprakāśa by Vāsudeva. K. 70. Peters. 3, 393. Karpūramañjarīchāyā. Kh. 65.
3) Karpūramañjarī (कर्पूरमञ्जरी):—by Rajanīvallabha. This epithet (given also in L. 84) of Rājaśekhara is derived from his calling himself rajanīvallabhaśikhaṇḍa in the beginning of the play.
4) Karpūramañjarī (कर्पूरमञ्जरी):—by Rājaśekhara. [Bhau Dāji Memorial] 22 (and—[commentary] by Dharmacandra). Bl. 45. Peters. 4, 25. Stein 77.
—[commentary] Karpūramañjarīprakāśa by Vāsudeva. L. 3288. Peters. 4, 25. Stein 77 (inc.).
5) Karpūramañjarī (कर्पूरमञ्जरी):—kāvya, by Rajanīvallabha. Sūcīpattra. 7.
6) Karpūramañjarī (कर्पूरमञ्जरी):—a saṭṭaka, by Rājaśekhara. Oxf. 146^b. L. 84. K. 70. Kh. 83. Ben. 40. Bik. 252 (with translation into Saṃskṛt). Rādh. 20 (and—[commentary]). 38 (and—[commentary]). Np. Ix, 16. Burnell. 167^b. Oppert. 1623. 1624. 2783. 5919. Ii, 3865. 5360. 6485. 9526. 9850. W. 1557. 1558. Peters. 3, 393.
—[commentary] by Kāmarāja (Premarāja). Kh. 83.
—[commentary] by Kṛṣṇasūnu. Burnell. 168^a. Oppert. 1784.
—[commentary] by Dharmadāsa. Introd. to edition in Kāvyamālā.
—[commentary] Ratnamañjarī by Pītāmbara. W. 1559. 1560.
—[commentary] Karpūramañjarīprakāśa by Vāsudeva. K. 70. Peters. 3, 393. Karpūramañjarīchāyā. Kh. 65.
7) Karpūramañjarī (कर्पूरमञ्जरी):—saṭṭaka, by Rājaśekhara. Ulwar 996.
8) Karpūramañjarī (कर्पूरमञ्जरी):—a saṭṭaka by Rājaśekhara. As p. 36. Bc 426. 518. Io. 1148. 3153. Peters. 5, 423. 424 (and C.).
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) Karpūramañjarī (कर्पूरमञ्जरी):—[=karpūra-mañjarī] [from karpūra] f. Name of a daughter of Karpūra-sena, [Kathārṇava]
2) [v.s. ...] of a daughter of the flamingo Karpūra-keli, [Hitopadeśa]
3) [v.s. ...] of a drama by Rājaśekhara.
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Karpura, Manjari, Mancari.
Full-text (+1): Rajashekhara, Dharmadasa, Sattaka, Ratnamanjari, Samgitasarvasva, Mrigankalekhakatha, Vatsagulma, Shattaya, Langiman, Rasakalika, Sahulacivara, Natyapradipa, Aparajita, Natyalocana, Kamaraja, Matrigupta kavi, Sudhakara, Yayavara, Saindhavaka, Prakritaprakasha.
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Search found 8 books and stories containing Karpuramanjari, Karpūramañjarī, Karpura-manjari, Karpūra-mañjarī; (plurals include: Karpuramanjaris, Karpūramañjarīs, manjaris, mañjarīs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada Dāsa)
Text 7.147 < [Chapter 7 - Literary Faults]
Kavyamimamsa of Rajasekhara (Study) (by Debabrata Barai)
Part 11 - The Karpūramañjarī of Rājaśekhara < [Chapter 1 - Introduction]
Part 8 - Rājaśekhara and Prākṛita Language < [Chapter 1 - Introduction]
Part 5 - Rājaśekhara’s Province and Religion < [Chapter 1 - Introduction]
Cosmetics, Costumes and Ornaments in Ancient India (by Remadevi. O.)
2.6. Pharmaceutical use of Lipstick < [Chapter 1 - Cosmetics]
2.1. Upper Garments (e): Kūrpāsaka (stitched garment) < [Chapter 2 - Costumes]
2.7. Waist Ornaments (c): Kāñcī < [Chapter 3 - Ornaments]
Sanskrit sources of Kerala history (by Suma Parappattoli)
6. Samudrabandha’s commentary on the Alankarasarvasva < [Chapter 6 - Miscellaneous Sanskrit works bearing on Kerala history]
Impact of Vedic Culture on Society (by Kaushik Acharya)
Study of the Contemporary Literary Sources < [Chapter 3]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Sanskrit dramas and their performance < [Chapter 3 - Application of gati in Dṛśya-kāvyas]