Abhinavabharati, Abhinavabhāratī: 1 definition
Introduction:
Abhinavabharati means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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General definition (in Hinduism)
Source: Academia.edu: Some Pearls from the Fourth Chapter of Abhinavabhāratī Table of ContentsThe Abhinavabhāratī (अभिनवभारती), Maheśvara Abhinavaguptācārya’s commentary, is a beacon light for the ocean of the Nāṭya Śāstra. The importance of the work is not only because of the fact that it is the only complete commentary available as of date, but also because it has all the qualities of an ideal commentary
See also (Relevant definitions)
Full-text: Rasana, Driptarasa, Vyayoga, Natyashastra, Dripta, Raining, Eagerness, Flag, Blowing, Banner, Pataka, Abhinavagupta, Bharata.
Relevant text
Search found 15 books and stories containing Abhinavabharati, Abhinavabhāratī; (plurals include: Abhinavabharatis, Abhinavabhāratīs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Kavyamimamsa of Rajasekhara (Study) (by Debabrata Barai)
Part 9 - Abhinavabhāratī of Abhinavagupta < [Chapter 2 - A General Outlines of Sanskrit Poetics]
Alaṃkāra (1): Vakrokti < [Chapter 3 - Contribution of Rājaśekhara to Sanskrit Poetics]
Part 1 - Rasa theory and position of the Kāvyamīmāṃsā < [Chapter 4 - Position of the Kāvyamīmāṃsā in Sanskrit Poetics]
Annadatri-carita (study) (by Sarannya V.)
1. Dramatic aspects (c): Rasa (sentiment) < [Chapter 4 - Dramatic Appraisal of Annadatri-carita]
2. Nandi Shloka (auspicious verse) < [Chapter 4 - Dramatic Appraisal of Annadatri-carita]
Mudrarakshasa (literary study) (by Antara Chakravarty)
4.1. Kaiśikī-vṛtti < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
4. The entity of Vṛtti and its use in Mudrārākṣasa < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Introduction to the Utsṛṣṭikāṅka type of Drama < [Chapter 8 - Utsṛṣṭikāṅka (critical study)]
Introduction to the Ḍima type of Drama < [Chapter 4 - Ḍima (critical study)]
Part 2b - Justification of the title (Ubhayābhisārikā) [ubhaya-abhisārikā] < [Chapter 2 - Bhāṇa (critical study)]
Malatimadhava (study) (by Jintu Moni Dutta)
Part 1.1 - Meaning of Rasa (aesthetic enjoyment) < [Chapter 2 - Literary Study of the Mālatīmādhava]
Part 5.1-2 - Definition of Doṣa (poetic defects) < [Chapter 2 - Literary Study of the Mālatīmādhava]
Part 1b - The Date of Bhavabhūti < [Chapter 1 - Introduction]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
2.2. Hand Postures (a): Asaṃyukta-hasta < [Chapter 3 - Drama and Dance]
1.3. Elements of Drama (f): Dramatic Style < [Chapter 3 - Drama and Dance]
1.4. Types of Drama < [Chapter 3 - Drama and Dance]